After several years of admiring the distinctive watches from Sussex’s most famous watch company, I managed to exchange a few words with the founder Giles Ellis. On an off chance, I asked if there might be the opportunity to do a review.
Just after the Christmas break an e-mail arrived out of the blue. Giles had remembered and asked if I would like to do the first review of their new Telemark, a watch I had admired at its launch during the Salon QP week.
The Telemark sits within the ‘Markers’ family of Schofield watches, which was originally pioneered by the Daymark. This model being inspired by the 1960s war film ‘Heroes of Telemark’.
This watch has features common to previous watches however, the Telemark stands alone as a bold addition to the Markers collection. It is Schofield’s first white dialled watch, Schofield’s first fully numerated dial and even Schofield’s first design to be inspired by a coastline outside of the British Isles.
Before giving more details I think it is important to describe what this very particular watch is like to wear.
But before covering the watch I cannnot ignore the very impressive black Osmo Ash box, below. Though it does make you wonder whether someone with a collection of several watches can find space to store the increasingly large and impressive packaging.
After a lifetime of relatively regular sized watches I have recently got used to my slightly larger than my usual, Pinion. The 44mm Telemark takes my “large experience” to another level, especially the case height.
To my surprise once on my wrist it actually doesn’t feel that large and it is perfectly possible to almost not notice your wearing it and I didn’t even once risk bashing it on walls or furniture which I frequently do with my personal Speedmaster. The watches distinctive character though does not really come from it’s size but the design itself and the white dial in particular. The white/grey/brushed steel combination does express a wintery “Telemark” vibe.
The first thing I did then was to put the watch to my ear, The dial does not mention automatic and I had not yet read the specifications, I wanted to understand wether it was an auto or manual. To my surprise I couldn’t hear the sound of a rotor inside the case. To be sure I then checked the spec sheet and discovered it was in fact an auto. I imagine the case thickness keeps the watch quiet.
Design wise there are some many details to be appreciated. The most obvious on my particular watch being the fucsia lining to the grey strap and the design of the caseback.
Should this strap not be to your taste one of the wonderful features of the Schofield range is the wide choice of straps available making the watches even more individual. Then we shouldn’t forget the customised straps from Schofield+Cudd. I kept thinking this watch would be great on one of the Harris tweed straps, something I would never consider for any other watch I can think of.
Once turned over the more design details become visible, for the first few days I continued to see something I had not noticed. For example the Schofield brand name being written very discretely in the number 6 position on the dial. There are so many little quirky features I will resist the temptation to list them but for me the dial hand combination works really well.
Then there is my favorite detail of all the crown and the groove in the case that makes it really easy to operate.
The Technical Details Are:
Fully numerated submarine dial
Dimensions – 44mm diameter base, 42mm bezel, 15.1mm high
The word ‘Schofield’ replaces 9 minute marks on the chapter ring
The hour markers in the chapter ring are black anodised appliqués filled • with Super-LumiNova C5
Case – Vapour-blasted stainless steel
Weight – 134 grams with strap
Date disk reprinted for horizontal readability at 4:30
All the parts of the hands and the windows line up when overlapping
The second hand tapers towards the tip and the counterpoise
The second hand counterpoise is filled with lume
The case has a nail rebate for pulling out the crown
The crown also has a groove for your nails to grip to pull out
The case has a slight radius on the outer edge of the bezel
The box is Osmo ash, the queen of English timbers
Colour – Silver
Crown – Push in, machine finish stainless steel, engraved
Case back – Stainless steel, engraved with Jomfruland lighthouse
Crystal – Sapphire
Water resistance – 200m
Strap – Your choice
Strap bars – Stainless, vapour-blasted
Buckle – Brushed stainless steel, engraved
Serialisation – Sequential numbering
Warranty – 2 years
For more information and lots of really super images you should visit the Schofield website.
So in conclusion, I really enjoyed my time with the Telmark. The perfect location for a review would have been my February ski break, but I already had other horological commitments for that. At the same time I was really pleased to have the opportunity to write the first review which I did not want to postpone. Maybe I have another chance for next February.
My thanks to Melodie of Schofield for organising the logistics of this loan and for her cheery notes.
As a promised here is a more specific look at the newly announced Fears Brunswick.
After quietly getting on with launching his reborn company around the original three watch Redcliff range and the fourth “pebble grey” variant Nicholas Bowman-Scargill has been dropping hints of a new watch since early October. Despite my questions he would not admit they would be launching a mechanical watch.
I concluded therefore this years Salon QP would see the launch of a mechanical Redcliff, probably with a Swiss movement. I thought this would follow the original Fears philosophy of good quality watches at a reasonable price. It was with this in mind I met Nicholas in mid-October for a catch-up and hopefully news of the new watches.
Over couple of beers and a general catch-up Nicholas then introduced me to the new watches, A “passport red” Redcliff, quartz, the Redcliff Continental, again quartz. After covering the merits of these watches as worthy additions to the Fears range came the news I had been waiting for – the mechanical watch, the Brunswick.
At this point the actual prototype was not ready, but is was able to see the design. Here it is with the vintage Fears that inspired the design.
What a surprise, a cushion cased, hand wound watch. But still difficult to appreciate from the drawings. I would have to wait until the “Night Before” of the Watchmakers Cub, by which time the prototype should be ready.
So here it is on my wrist.
As you can see the drawings did not do the actual watch justice. This is a very handsome piece that rightly was attracting compliments from everyone that saw it at the Watchmakers evening. A difficult public to win over.
The top grade ETA 7001 manual wind movement is installed in a 38mm cushion case, made in the UK from 316L stainless steel. The dial is cold resin enamel, which together with the thermally blued skelton hands are also made in this country. The front glass and exhibition case back are sapphire crystal. Around the exhibition back there is enough space for engraving and buyers will also have the option to engrave the movement. The final touch of class is the strap made from calf skin tanned by Bristol company Thomas Ware & Sons.
The rather un-English sounding name “Brunswick” is a reference to the address of the Fears export warehouse in Brunswick Square, Bristol.
Nicholas planned an initial batch of 14 watches, this being the number of the building in Brunswick Square. However, the reception of the watch at the Salon QP has been so good this will be increased.
For the moment this lovely watch is available for £1750 (inc. VAT) directly from Fears.
Considering the quoted water resistance of 100m this could be the “one watch” so many people say they are looking for. Ideally for all occasions, even beach holidays if you put it on a waterproof strap, maybe a perlon.
I don’t think last week was officially know as “watch week” but that is how it turned out for me, a few events growing out of the Salon QP.
Although maybe “week” might not be quiet the right definition as for me everything started mid-October when I met Nicholas Bowman-Scargill for a catch-up. We had first met a year earlier, before he re-launched the Fears brand at the Salon QP 2016. Nicholas told me all about his first year and the three new watches he would be announcing at this years show. He revealed these in order of significance. The first being an additional colour to the existing Redcliff range this time a pretty striking Passport Red.
Next I was expecting a “mechanical Redcliff”, which seemed to be the obvious development. But no, the next watch Nicholas showed me was the quartz Redcliff Continental. The Continental version has a window just the “6” position enabling the wearer to display a second time zone. A very useful feature for international travellers or people with far flung families.
Then came the news I had been expecting the Fears mechanical watch, not however as I was imagining a Redcliff but a completely new watch – the Brunswick the first mechanical watch for the new Fears.
At this time Nicholas was only able to show me a drawing of the watch as the prototype had yet been delivered. The finished watch was due to be shown at the Watchmakers Club evening before the Salon QP. I will dedicate a post to this interesting new watch.
This brings me to the start of “Watch Week”; the first event being the Watchmaker’s Club “Night Before” evening in a private club in London on Wednesday. The Watchmakers Club is a new platform, intended to bring watch collectors and industry experts together via intimate, exclusive events and regular social gatherings. The team behind this unique organisation consists of watchmakers, independent brands, industry influencers and journalists.
It all started in 2012, Andreas Strehler exhibited for the first time at SalonQP in London. On the night before the opening of SalonQP, he invited a few friends and watch enthusiasts to share a drink, talk about watches and the world in general. The idea of The Night Before was born.
On the first evening only a handful of what would become a band of friends showed up at the Lansdowne Club in Mayfair. Over the years, The Night Before became an institution: A gathering of interesting people interested in the world of watches and as the guest list began to grow the Lansdowne Club became too small to host the event.
This year the event was held at The Libary in St Martins Lane. There were two sections, one of which, upstairs, was dedicated the British brands, Fears, Garrick and Pinion. It was a great opportunity firstly to see the Fears Brunswick and Pinions new Atom finally in the metal.
The Atom doesn’t disappoint at all. As you can see the design clearly says, Pinion. As we have come to expect, Piers presented a really nice well built watch. Differently to previous Pinions you first notice the slimmer (11mm) steel case, made possible by the use of the Japanese Miyota 9105 automatic movement. Using this movement also enables Pinion to offer a watch at a much lower price point than we are used to from this brand, £790. It will be very interesting to see how this bet goes.
After Fears and Pinion I managed to squeeze through to the table where Garrick’s Simon Michlmayr was displaying their watches, I was especially keen to see the new S1. This watch is built by master watchmaker, Craig Baird, and finished entirely by hand. This is Garrick’s most complicated timepiece to date, featuring a skeletonised dial and incorporating a power reserve indicator. Only five S1 timepieces will be made per annum.
Unfortunately due lack of space and light I couldn’t get a really decent picture so to give an idea of how the watch is I have taken this picture from Garrick website.
Giles Ellis of Schofield was also present that night along with Simon Cudd, of Schofield + Cudd straps, neither was displaying their products other than those they were wearing. I did manage a dingy peek at Schofield latest watch – the Telemark.
All in all it was a very pleasant evening but being a “school night” I thought it wise to make my way home.
After “the Night Before” comes the actual night- the first evening of this years Salon QP. The big difference between the two evenings was the lighting.
I managed to say hello again to Simon Michlmayr and to get a shot of the Garrick range.
I then found the two British stands together firstly, the Fears Departure lounge that was proving very popular with the new Brunswick attracting a great deal of praise. Then next door Schofield overseen by Giles Ellis himself and Simon Cudd with his straps. Again thanks to better light I managed to get some more useful pictures.
After visiting the Brits I went a little of topic and had quick chat with two brands that I have admired for a while Habring from Austria and Switzerlands Czapek both really nice and like everyone super enthusiastic about their work.
On Saturday I visited the Salon again this time with my sons, in the hope of planting the seed of an interest in watches early. They were very impressed by the chocolate offered at the Fears Departure lounge.
The highlight of this time of year for British watch enthusiasts for several years has is the Salon QP watch exhibition in the Saatchi Gallery.
Despite there being less brands showing this year I am still looking forward to some announcements from British brands.
Nicholas Bowman-Scargill of Fears watches has told me they will be announcing three new watches. Since their launch at last year’s Salon QP, Fears have so far added a grey variant to their existing bue and white faced Redcliffe watch. Nicholas assures me the new launches will be more than just an additional colour.
Then following alphabetical order we come to Garrick who will be announcing two new watches firstly an addition to the Portsmouth family. This will feature a guilloché dial, offered in two variants, grey (pictured below) or silver.
Then, Garrick will unveil a totally new timepiece, the S1. This watch is built by master watchmaker, Craig Baird, and finished entirely by hand. This is Garrick’s most complicated timepiece to date, featuring a skeletonised dial and incorporating a power reserve indicator. Only five S1 timepieces will be made per annum, conferring a high degree of exclusivity.
Moving along the alphabet, after being absent from last year’s show Schofield from Sussex will be back. I am really looking forward to finally seeing the Daymark watch in the metal. We should also get a chance to see the new version of the Bronze Beater, that will be available in raw un-treated metal or chemically aged.
From the images I have seen, I assume I am going to prefer the “raw” version. As well as watches we will get to see the new quirky range of straps from the joint endeavour with Simon Cudd – Schofield + Cudd.
Then no longer the alphabet we come to Pinion. I am covering them last as they will not be exhibiting at the Salon. They will however be showing their new Atom model (below) at the Watchmaker’s Club event held on the Wednesday before.
So I for one am still looking forward to Salon QP running from November 2nd to 4th at the Saatchi Gallery, King’s Rd, London
This event has now the highlight of my Grinidgetime calendar. It is an opportunity for me to meet in person many of the people I have been writing about over the year. Given the number of people that also want to meet these people I limit these meetings to a quick hello, just to put a face to Grinidgetime. Last year I managed to shake the hand of the great Roger Smith. This year there was at least his “Great Britain” watch.
Again, I have to mention I was disappointed that neither Meerson, Pinion or Schofield were exhibiting this year. I was also disappointed that Farer did not have a stand, the brand caught me a little by surprise and I really like their new range of automatics.
Our first port of call was The Deep Time diver’s watch exhibition where I really enjoyed seeing an early Panerai, a Blancpain Fifty Fathoms and an Eterna Kontiki helps which remind us there are alternatives to Rolex Submariners. The first British stop was the Bremont stand, which disappointingly look identical to last year’s. So I moved swiftly onto the first floor where to see the Christopher Ward stand, this year featuring Morgan three wheeler to highlight the relationship between the two companies. There was also their star watchmaker Johannes Jahnke working away at a bench.
Then up to the second floor where I almost literally bumped into Nicholas B-W of Fears Watches looking very pleased with himself. The show was going very well. Chatting with Nicholas he explained a little more to me about the philosophy of the brand. Apparently, he had been advised that the brands history would permit them to be much more upmarket. Nicholas explained that he thought this would be a betrayal of what the brand had been, good value watches with Swiss movements. He went on to explain that one key design feature of the Radcliff watch was legibility in the dark, interestingly having the date window is key in being able to orientate the watch.
My editorial assistant ( my just teenage son) was very impressed, He was even more impressed when Nicholas let him try on “watch No. 1”
The next stop was to say hello Toby Sutton to see how Dennison was going a year from their launch at last year’s Salon. He was wearing the material Denco53 with the French paratrooper strap which is a really great combination. This is the only picture I have managed to find, you must admit this strap looks made for this watch.
A photo posted by DENNISON (@dennisonwatchcaseco) on
Next was Robert Loomes; I wanted to congratulate him on his talk the day before and of course to have a closer look at the new Stamford. I also had the pleasure of meeting his wife Robina, apparently the strategic mind of the couple. Robert was his usual enthusiastic self and was very pleased with the reception the watch had received at the show. It looks like he will be busy for sometime to come.
Our last “British” stop was to see the new “Portsmouth” at the Garrick stand. Here I had hoped to get some pictures of the watch, unfortunately exhibition cases and and an iPhone prevented this. So here is a picture from the Garrick website.
David Brailsford of Garrick was a another happy man. He told me sales at the show were going very well. They had sold out of there Regulator model and the Portsmouth was generating a great deal of interest despite the £17,995 price. So the Norfolk watchmaker is going to busy for sometime as well. Finally, I managed to resolve a doubt I had been harboring for a while, David confirmed to me that the watch was originally going to be called the Plymouth. Being Hampshire born I am much happier with this name.
So to sum up, another very enjoyable show this year. The best news being the great the great reception that the British brands exhibiting are receiving from everyone. Well done.
The salon QP is where I first met with both Schofield and Pinion, so I am a little disappointed to discover that after the absence of Pinion last year, Schofield have decided not to attend either this year.
For the first year since Schofield launched its Signalman model watches they are not exhibiting . The reasons are simple; wthey are very busy with a completely new watch called the Daymark and very busy with the production of the new bronze Beater B2. There is a risk that none of their new watches would be ready .
On the up side there will still be a significant presence from British watch brands such as Fears, who will be launching at the event, Dennison, Robert Loomes and Garrick. The last two with new movements.
When I met David Brailsford a couple of months ago he told me about the new movement they were working on to put in a new watch to be launched at this year’s Salon QP. At the time the name was Plymouth and he told be it would be significantly more expensive than Garrick’s current range.
More details are now available. Here is what it looks like.
He was not joking about the price, this new watch will be on sale for £17,995.
At the heart of the new Portsmouth is a new hand-wound, exclusive Garrick movement, designed by British watchmaker Simon Michlmayr and the legendary movement specialist, Andreas Strehler. The movement parts are manufactured both in the UK and Switzerland. Thereafter, movement finishing, assembly and regulation takes place within Garrick’s own Norfolk workshop.
Garrick has been for some time making its own- free-sprung balance, delivering a daily variation of just +3 seconds per day. Now, with the advent of the Portsmouth, Garrick has signalled its progression to a higher level, offering an exclusive movement par excellence.
As with all Garrick timepieces, most of the parts including the case, hands and dials are engineered in-house or sourced locally.
If you cannot wait until the opening of the Salon QP. You can always sign -up for the special collector’s event “the night before” on November 2nd.
This year’s Salon QP looks like it should be a great event for British watch brands.
Last week an interesting tweet from Robert Loomes mentioning they would be showing a new movement at the salon QP this year.
In the interests of investigative journalism I sent an e-mail to Robert himself to see if he was prepared to say more before the official unveiling. Somewhat to my surprise I got an very interesting reply back.
Robert clearly does not want to give away all his secrets but he is interested in the word getting out with a drip drip of information.
To wet our appetite he sent me over this picture of the “Stamford ” movement without jewels or wheels.
The key desire is to have a watch movement with no imported parts, Robert says he has been working towards this for ten years. His company has gradually been making more and more parts to use in their watches based around a stock of 1950’s Smiths movements. They are particularly proud of their enamelled dials.
Robert has gone round the country and re-discovered many of these skills that were popularly believed to have been lost to the country.
The mainplate, cocks and bridge for the “Stamford” are all designed and machined and hand finished in our workshops. Most of the other components are manufactured by small specialist machine shops around the country, either turners ( Robert himself does not use a lathe at work except for a bit of prototyping). Wheels, pinions, winding gear, motionwork, anything which requires turning is easy to outsource once you have a design. Jewels are lasered out for us by another English specialist.
He does not want to get into “Haute Horologies” with weeks of mirror hand-polishing and finishing. He is more interested in producing wristwatches. So the price should be a fraction of AHCI luxury watch producers, ever if it is still a very expensive beast compared with their previous offerings.
This interview with Robert by Hodinkee on there recent tour of British watchmakers gives some great insights into what he is trying to achieve, interestingly he does not mention the movement.
I am really looking forward to seeing this movement at the Salon QP.