Tag Archives: Johannes Jahnke

This event has now the highlight of my Grinidgetime calendar. It is an opportunity for me to meet in person many of the people I have been writing about over the year. Given the number of people that also want to meet these people I limit these meetings to a quick hello, just to put a face to Grinidgetime. Last year I managed to shake the hand of the great Roger Smith.  This year  there was at least his “Great Britain” watch.

Roger Smith - Great Britain

Roger Smith – Great Britain

Again, I have to mention I was disappointed that neither Meerson, Pinion or Schofield were exhibiting this year.  I was also disappointed that Farer did not have a stand, the brand caught me a little by surprise and I really like their new range of automatics.

Our first port of call was The Deep Time diver’s watch exhibition where I really enjoyed seeing an early Panerai, a Blancpain  Fifty Fathoms and an Eterna Kontiki  helps which remind us there are alternatives to Rolex Submariners. The first British stop was the Bremont stand, which disappointingly look identical to last year’s.  So I moved swiftly onto the first floor where  to see the Christopher Ward stand, this year featuring  Morgan three wheeler to highlight the relationship between the two companies. There was also  their star watchmaker Johannes Jahnke working away at a bench.

 Johannes Jahnke

Johannes Jahnke

Then up to the second floor where I almost literally bumped into Nicholas B-W of Fears Watches looking very pleased with himself. The show was going very well. Chatting with Nicholas he explained a little more to me about the philosophy of the brand. Apparently, he had been advised that the brands history would permit them to be much more upmarket. Nicholas explained that he thought this would be a betrayal of what the brand had been, good value watches with Swiss movements. He went on to explain that one key design feature of the Radcliff watch was legibility in the dark, interestingly having the date window is key in being able to orientate the watch.

My editorial assistant ( my just teenage son) was very impressed, He was even more impressed when Nicholas let him try on “watch No. 1”

#1 Redcliff + # 1 Son

#1 Redcliff + # 1 Son

The next stop was to say hello Toby Sutton to see how Dennison was going a year from their launch at last year’s Salon. He was wearing the material Denco53 with the French paratrooper strap which is a really great combination. This is the only picture I have managed to find, you must admit this strap looks made for this watch.

https://www.instagram.com/p/BIA9KVPjsEb/?taken-by=dennisonwatchcaseco

Next was Robert Loomes; I wanted to congratulate him on his talk the day before and of course to have a closer look at the new Stamford. I also had the pleasure of meeting his wife Robina, apparently the strategic mind of the couple. Robert was his usual enthusiastic self and was very pleased with the reception the watch had received at the show. It looks like he will be busy for sometime to come.

Our last “British” stop was to see the new “Portsmouth” at the Garrick stand. Here I had hoped to get some pictures of the watch, unfortunately exhibition cases and and an iPhone prevented this. So here is a picture from the Garrick website.

Garrick Portsmouth

Garrick Portsmouth

David Brailsford of Garrick was a another happy man. He told me sales at the show were going very well. They had sold out of there Regulator model and the Portsmouth was generating a great deal of interest despite the £17,995 price. So the Norfolk watchmaker is going to busy for sometime as well. Finally, I managed to resolve a doubt I had been harboring for a while, David confirmed to me that the watch was originally going to be called the Plymouth. Being Hampshire born I am much happier with this name.

So to sum up, another very enjoyable show this year. The best news being the great the great reception that the British brands exhibiting are receiving from everyone. Well done.

 

New Hand Wound Chr. Ward

A post I realised I had not published. So this is slightly old news, over a month out of date but still worth mentioning given this great looking watch.

The C9 5 DAY SMALL-SECOND CHRONOMETER

c9-40-hw-swk_1_nf

To release an important movement in British watchmaking – their first in-house Calibre, SH21 – was a satisfying feat in July 2014. One year on, they are beginning to capitalise on Johannes Jahnke’s innovative, Baukasten system design approach with the release of a hand-wound execution with a small-second hand display at 6 O’clock, housed in their classic C9 dress case.

Blued hands in elegant curved forms flatter the optic white dial and roman indexes, bringing refreshed elegance and refinement to the C9 Collection.

The robust nature of the Calibre SH21 movement provides a stable foundation to the reliability of the C9 Small-Second and with each movement given the accolade of chronometer status by the Controle Officiel Suisse des Chronometres (COSC), precision and accuracy is guaranteed.

Each watch is hand crafted by their Swiss watchmakers at our atelier in Biel giving the wearer, therefore, a direct connection to the mechanics of Swiss engineering, encompassed in a watch with a quintessentially English design ethos.

For more pictures and information follow the link  C5 Hand wound

Christopher Ward – Spitfire Watch

It has taken me sometime to get around to assembling this post which is a shame given the “Britishness” of the watch in question the C8 P7350 a limited edition tribute to the Spitfire Second World War fighter. If you want one you have until the end of June to get your order in, assuming they have not all gone already.

Here is what Christoper Ward have to say about it.

C8_P7350-BANNER

They say the joy of travel is in the wandering. Facing the challenge of creating a 75 piece Limited Edition watch fit to contain a real piece of British history – a piece of original Duralumin taken from the cockpit of the last airworthy Spitfire that flew in the Battle of Britain, P7350 – we knew we had to leave no avenue unexplored in creating a process where every component piece was brought to life meticulously, by hand, and with the attention to detail deserved by such an important object.

Johannes-and-Duralumin-metal Johannes-working-the-metal

In this watch, then, the centerpiece is not just Calibre SH21 (the in-house movement which for the 1st time is built and COSC certified in a hand-wound execution) but is actually a blunt piece of Duralumin metal only just thicker than a good old piece of writing paper, sourced for us by our good friends at TMB ArtMetal. The comparison ends there, where there is only one sheet instead of an entire block of writing paper sheets. Moreover that sheet has punched holes, signs of distress and age and is only just large enough to offer the 75 medallions needed to be cut out on condition that a) you do it smartly and b) there is not the slightest wastage.

All of the above might make you or I a little nervous; but not so – luckily – Johannes Jahnke, our man not only for construction of our already famous movement but also of the handful of JJ Calibres already enhancing a number of our watches. The trick Johannes plays is having a road map in mind of how to get the job done; something quite useful in general, even in everyday life.

laser-cutting

So in order to prepare himself for the challenge of creating 75 perfect discs from just one precious piece of 75-year-old Duralumin, he buys a piece of metal, cuts it into a similar shape, and bangs and tortures it until it has the same rugged looks as the original. Then, he works out with the engineer at our local laser shop the individual process steps. No alley or byway is left untraveled in this labyrinthine, yet rigorously logical, journey in thought process. For example, the fixation so that the laser will cut regularly, neatly and the medallion actually will be round otherwise, you imagine correctly, it won’t fit into the caseback opening – which I assure you, is round!

In parallel, while Johannes is working away at the laser lab, all the C8’s distinctive components arrive in our Biel atelier and Brigitte, who is in charge of quality at Synergies, takes special care of all individual parts in order to assure that this very important project (to us and to you as our customer) gets the attention it deserves.

Above you will see a batch of COSC certificates and several movements. You may note a number on the plastic case in which we must deliver the movements to COSC and which is identical to the number engraved directly onto the main plate of the movement itself. Also you may have questions regarding the dial and hands on the movement. This is a working dial and working hands specially made for the COSC certification as per the conditions of COSC. Once the movements are certified and returned we will then remove these hands and dial – to use them again in a subsequent certification – and replace them with the proper components for the C8 P7350. Since with this COSC application we were having a hand-wound movement certified for the first time, there was a bit of suspense hanging in the air regarding the outcome. However, we did great as we passed well over 90% of the first batch submitted and thus – TMB here we come – we can arrive at our destination feeling confident that the quality of the movement and componentry is a fitting tribute to the importance of the historic backplate it beats beneath.