Tag Archives: british brand

Bremont America’s Cup Watches

I am sorry to say I have been a little behind on this announcement, but better late than never.
To celebrate their involvement with the America’s Cup Bremont have launch a special range of four commemorative watches.

BREMONT_AC_7_LR_600x400_608_405_95_s_c1

May 2015 saw Bremont announce a partnership with the America’s Cup Event Authority and ORACLE TEAM USA to be the Official Timing Partner of the 35th America’s Cup and ORACLE TEAM USA. As the first official British timing partner to the America’s Cup since 1851, Bremont has embarked on a very exciting project to produce a special edition series of timepieces to celebrate its involvement.
Giles English, Bremont Co-Founder; “Bremont is incredibly proud to be involved in such a historical event, not least of all to be the only watch company allowed to build a watch associated with the 35th America’s Cup and ORACLE TEAM USA. The America’s Cup is possibly the only team extreme sport out there; these boats are built using pioneering technology which makes the race more exhilarating to watch with each Cup. We’re excited to see these new watches be put through their paces on the water, they will certainly be Tested Beyond Endurance.”

America’s Cup Watch Video

Personally I am quiet tempted by the Oracle II ….

Alexandre Meerson

Well what a shock, Alexandre Meerson suggested we meet up. As I am not one to pass up on an interesting chat I accepted.

meerson-push-subblock

I have, I believe, expressed doubts about including Meerson in my blog dedicated to British watch brands. Each time I try to find a definition that is acceptable I find a brand that the definition does not suit. Well, I have decided just to go with the flow, I am making arbitrary inclusions. I liked Alexandre and I accept his commitment to a building his brand here in the UK. Like many of his countrymen he finds in the UK the “do it” attitude which is lacking in their homeland.

Alexandre’s objective is to “define luxury for now” which means not falling back on tried and trust design formulae. Which I think you will agree this Altitude Premiere (below) does very successfully.

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I was surprised to find, that despite its size being for me already “large”, the watch wore really comfortably ( maybe I need to try one for an evening to confirm this 🙂 ). I was a little disappointed that I was not able try the new sports model the D15. Alexandre told me the only example they had was now in Australia on the wrist of a rugby player.

meerson_g_d15-mk-1_dualtime_2_1

The Meerson range is really individual and excellent quality. I wish them luck and hope they manage to find the few “appassionati” they will need to make their business a success.  Here is a link to their website for more detail on the range, Meerson Watches .

Christopher Ward – Spitfire Watch

It has taken me sometime to get around to assembling this post which is a shame given the “Britishness” of the watch in question the C8 P7350 a limited edition tribute to the Spitfire Second World War fighter. If you want one you have until the end of June to get your order in, assuming they have not all gone already.

Here is what Christoper Ward have to say about it.

C8_P7350-BANNER

They say the joy of travel is in the wandering. Facing the challenge of creating a 75 piece Limited Edition watch fit to contain a real piece of British history – a piece of original Duralumin taken from the cockpit of the last airworthy Spitfire that flew in the Battle of Britain, P7350 – we knew we had to leave no avenue unexplored in creating a process where every component piece was brought to life meticulously, by hand, and with the attention to detail deserved by such an important object.

Johannes-and-Duralumin-metal Johannes-working-the-metal

In this watch, then, the centerpiece is not just Calibre SH21 (the in-house movement which for the 1st time is built and COSC certified in a hand-wound execution) but is actually a blunt piece of Duralumin metal only just thicker than a good old piece of writing paper, sourced for us by our good friends at TMB ArtMetal. The comparison ends there, where there is only one sheet instead of an entire block of writing paper sheets. Moreover that sheet has punched holes, signs of distress and age and is only just large enough to offer the 75 medallions needed to be cut out on condition that a) you do it smartly and b) there is not the slightest wastage.

All of the above might make you or I a little nervous; but not so – luckily – Johannes Jahnke, our man not only for construction of our already famous movement but also of the handful of JJ Calibres already enhancing a number of our watches. The trick Johannes plays is having a road map in mind of how to get the job done; something quite useful in general, even in everyday life.

laser-cutting

So in order to prepare himself for the challenge of creating 75 perfect discs from just one precious piece of 75-year-old Duralumin, he buys a piece of metal, cuts it into a similar shape, and bangs and tortures it until it has the same rugged looks as the original. Then, he works out with the engineer at our local laser shop the individual process steps. No alley or byway is left untraveled in this labyrinthine, yet rigorously logical, journey in thought process. For example, the fixation so that the laser will cut regularly, neatly and the medallion actually will be round otherwise, you imagine correctly, it won’t fit into the caseback opening – which I assure you, is round!

In parallel, while Johannes is working away at the laser lab, all the C8’s distinctive components arrive in our Biel atelier and Brigitte, who is in charge of quality at Synergies, takes special care of all individual parts in order to assure that this very important project (to us and to you as our customer) gets the attention it deserves.

Above you will see a batch of COSC certificates and several movements. You may note a number on the plastic case in which we must deliver the movements to COSC and which is identical to the number engraved directly onto the main plate of the movement itself. Also you may have questions regarding the dial and hands on the movement. This is a working dial and working hands specially made for the COSC certification as per the conditions of COSC. Once the movements are certified and returned we will then remove these hands and dial – to use them again in a subsequent certification – and replace them with the proper components for the C8 P7350. Since with this COSC application we were having a hand-wound movement certified for the first time, there was a bit of suspense hanging in the air regarding the outcome. However, we did great as we passed well over 90% of the first batch submitted and thus – TMB here we come – we can arrive at our destination feeling confident that the quality of the movement and componentry is a fitting tribute to the importance of the historic backplate it beats beneath.

Two further brands ….

The list of “British” watch brands keeps getting longer. Every time I look I find another. Well I’ve just found two.

rlt

The first RLT Watches would appear an honest attempt to market British watches at a reasonable price without relying on authenticity developed by brand strategists. Since 1987 they offer from their headquarters in Yorkshire a range of watches at very reasonable prices (£49 – £199) with a variety of quartz and mechanical movements.

You can find more information : RLT Watches

camden

The second, The Camden Watch Company, comes from the opposite end of the “brand stategist spectrum” in so much as at first glance their company seems almost entirely marketing driven. On the plus side their watches are again at the reasonable end of the price scale starting at £69 and reaching £110. The range also includes some women’s watches. The watches are designed in Camden and manufactured in the Far East. Their “Britishness” being further enhanced, according to the website, by the fact packaging is hand-stamped, our displays are handmade in our HQ and all our guarantees are printed, stamped and folded in London.

You can find out more information : Camden Watch Company

Garrick Shaftesbury SM301 – Monochrome-Watches.com

http://monochrome-watches.com/british-watchmaking-introducing-the-garrick-shaftesbury-sm301-price/

England might not instantly leap out as a natural ancestral home for a new watchmaking company, but for Garrick and its owner David Brailsford, the location of its centre of operations was never in question. Watchmaking has a rich historical connection with England, and back when the foundations of the science were being established, the city of London was at the forefront of technical innovation in horology, and it is upon that history that the Garrick Watch company was conceived.

For a new company to cite such horlogic legends as Arnold, Mudge, Harrisson, Graham and Tompion as its inspiration is an eyebrow raising way to make an entrance, but the new Garrick Shaftesbury SM301 watch and the approach to its creation make for an impressive statement of intent.

Garrick Shaftesbury SM301 - 6

The Garrick Shaftesbury SM301 is a fresh and confident debut from the young London company, and its style and dial layout are very much in the classic vein, with gentle curvature, crisp legibility and elegant poise all themes throughout. It also has a lot of character too, and that becomes evident almost at once, as the eye begins to soak in subtle nuances such as the undulating decoration around the edge of the dial and the finely drilled slots which constitute the minutes, hours and seconds indices in the two steel chapter rings. The finely brushed rings hover slightly proud of the dial on their pedestals accentuated by three heat-blued screws, they cross paths either side of the 6 o’clock position to pleasant effect, where the dominant hours and minutes ring passes beneath the smaller off-centre seconds.

Garrick Shaftesbury SM301 - 2

Dials are offered in a choice between the classy lustre of oven-fired enamel in either black or white, or anodised aluminium, a malleable material which easily lends itself to colouration, thereby opening up a wider á la carte spectrum of personalisation options which Garrick will be happy to accommodate to the customer’s specific requirement.

Garrick Shaftesbury SM301 - 1

A handsome, gentleman’s watch, best suited to smart casual attire and above, the Garrick Shaftesbury is offered in a round 42mm polished stainless steel case with sapphire crystals to the front and rear, and a lovely compressed ‘onion’ crown. The sides are straight and tall, but round off gracefully as the bezel yields towards the expanse of glass above the dial. The lugs extend from the outer case profile, yet do not protrude far from the case, falling off abruptly at the tips. The buffed steel spear-tip hands are simple yet wholly complementary to the Shaftesbury’s distinguished demeanour.

Garrick Shaftesbury SM301 - 8

Flip it over to reveal the rear detail and the Shaftesbury impresses with an almost total vista of the Unitas 6498 NOS manual winding calibre which beats within. Garrick have taken this trusty 1950’s movement, favoured by among others Panerai and TAG Heuer in the past, and reduced it to its base components before gold plating and then reassembling using Garrick bridges, Cotes de Geneve stripes and their very own free sprung balance. A narrow squared lip around the edge of the caseback means that the entire spectacle can be appreciated without being obstructed with an overly intrusive rear bezel.

Garrick Shaftesbury SM301 - 5

The Garrick Shaftesbury SM301 is presented on leather straps only, although the choice again is wide and varied. A tang buckle secures the watch to the wrist.

Garrick Shaftesbury SM301 - 3

Priced at £3,950 / € 5,350 Euro, it surely comes in at a very attractive price point for such exclusivity, and it is clear that every aspect of this fine watch has been carefully considered, even down to the cost, because with most of its peers costing a lot more, Garrick believe that while it’s all fair and good to sell a watch for £10,000, that kind of investment requires faith in a brand, and that faith takes time to cultivate. Another view is that there are few timepieces which represent small scale watchmaking available at that kind of money, so there again Garrick have another USP.

With the Shaftesbury, Garrick have laid down a notable marker, and one which symbolises a brand which has its heart in the right place as it consolidates. The watch is refined, beautifully finished and earnestly constructed in England, and of course, where possible in-house.

Garrick Hoxton sm302 – watch review by ESCAPEMENT

Seeing red

Angus Davies provides an in-depth review of the Garrick Hoxton sm302, available with a broad choice of dial options. However, it was the red dial option which provoked a reaction in this self-confessed grumpy 47 year-old.

Garrick Hoxton sm302

Middle-age sneaks up on the unsuspecting. I have become a grumpy 47 year-old, experiencing a sense of repeated irritation. Indeed, some aspects of modern life quite simply infuriate me. The world has seemingly gone mad.

If I venture into a supermarket and wish to pay for my goods, I am suddenly expected to morph into a checkout assistant and scan my own shopping. Moreover, as an impatient queue assembles behind me, I have to try and pack my shopping. This in itself may not sound much of an issue, but the shopping bags provided are so thin they have merged into one homogenous fusion of polythene and, try as I might, I can’t separate them.

Then, all of a sudden, my till displays a message enquiring of my age. Now I have to wait for human intervention, whilst the ever lengthening queue stares at me with a sense of disdain. I am clearly over 18 years of age and a bottle of Chianti does not constitute a matter of life and death, but automation dictates I now need to be inconvenienced further. The queue is getting longer and I could readily seek refuge in a case of Chianti such is the magnitude of my annoyance.

Is it just me, or has the world gone mad?

Take aeroplanes, I can think of no other area in life where it is considered acceptable to shoehorn adults into seats which are unduly small. The airlines health and safety gurus have decided a reasonable precaution is to warn passengers of the potential risk of deep vein thrombosis. Exercises are described within the inflight magazine, accompanied with small pictures my myopically impaired eyes can barely decipher. However, should I wish to stand and stretch, mitigating the risk of clots forming in my arteries, my actions will be met with ‘the look’ from an angry air hostess who has a trolley to wheel down the aisle, laden with ‘tat’ no self-respecting sane person would ever really consider purchasing.

Indeed, the very notion of customer service doesn’t exist at 30,000 feet. Should you show the merest of annoyance at the brusque service and rancid sandwich presented, you will be met with a strong rebuke. We now live in an age where disappointed customers are labelled potential air rage perpetrators. Don’t even dare complain unless you wish to be tasered.

Is it just me, or has the world gone mad?

The introduction of speed cameras seems well intentioned. However, if you ever look at drivers on the M6 in rush hour, they are not looking ahead watching the road, they are transfixed on the needles of their speedometers, expending huge amounts of energy to ensure their average speed over a given distance does not stray a couple of miles per hour over the limit.

With variable speed limits becoming de rigueur on our motorways, drivers panic as the prevailing maximum speed displayed on a sign is reduced by 10 miles per hour. All of a sudden the driver ahead performs a near emergency stop, anxiously fearing a further three points and resulting in numerous cars behind, swerving in his wake.

Is it just me, or has the world gone mad? You get the idea!

The fact is, many aspects of modern life make me angry. Wherever my eyes look there are elements of living in the modern world which irritate me, causing me to see red. However, whilst I saw red when first encountering a vibrantly hued Garrick Hoxton sm302, very different emotions came to the fore. This is a timepiece sporting a red dial which confers a striking appearance and justifies further discussion.

Garrick Hoxton sm302

In 2014, Garrick launched its inaugural watch, the Shaftesbury sm301. This timepiece represented a departure from the norm. While I am accustomed to seeing watches in the sub £4000 segment being mass produced, by virtue of Garrick’s size, the sm301 is made on a one-man, one-watch basis, typical of manufacturing high-end wristwatches.

Garrick Shaftesbury sm301

Garrick Shaftesbury sm301

It is this low-volume production method which has allowed Garrick to incorporate its own in-house free-sprung balance. The inclusion of a free-sprung balance proves incredibly labour intensive, necessitating much effort on the part of the watchmaker to fettle the balance wheel to run to the specified +3 seconds per day.

Recently, Garrick launched its second, simpler timepiece, the Hoxton sm302. While this watch does not include a free-sprung balance, which is reflected in the price, this model loses none of the hand craftsmanship and aesthetic allure of its older, costlier sibling, the Shaftesbury sm301.

Garrick Hoxton sm302

Recently, I had the good fortune to share a few calm weeks in the company of the new Hoxton sm302.

The dial

The first aspect of this particular Hoxton sm302 to arrest my attention was the dial colour. It is a vivid shade of red with a wonderful metallic lustre to its surface. The dial is machined with a series of concentric circles populating the periphery of the dial area.

Garrick Hoxton sm302

I suspect for some readers, the ebullient colour scheme may prove a tad too conspicuous and they may prefer more subdued shades. There is no need to worry, Garrick offer an array of dial options suiting a broad range of would-be buyers. I must confess, the red dial option worked for me and proved incredibly versatile, matching an array of shirts and jumpers and provoking comment wherever I chose to wear the watch.

Garrick Hoxton sm302

Unlike the sm301, where the dial includes a small seconds display, the sm302 presents the hours and minutes alone. This succinct presentation of the prevailing hour represents a charming contradistinction to those dials proffered by some brands which seem at best rather ‘busy’ and in some cases, virtually impossible to read. No such affliction effects the sm302 which tastefully articulates time with seemly poise and absolute decorum.

Garrick Hoxton sm302

The hour and minute hands are produced in-house. Close examination reveals their hand crafted nature with small surface undulations on the recesses to the centre of each hand. They lack the homogeneity of mass produced stamped items typically used on mainstream brands. The resultant subtle nuances reveal a comely individuality which I appreciate, reaffirming this is a handmade watch.

A stainless steel chapter ring sits atop the red dial surface and is retained with three thermally blued screws. I noted the screws were not recessed and enquired of David Brailsford, Managing Director of Garrick, what was the reason for this decision. His answer was clear and unequivocal, ‘We wanted the thermally blued screws to sit above the chapter ring, to engage with light more readily and for the screws to yield beautiful bluish purple shades in ambient light. By recessing the screws we would have lost much of this interplay with light and sacrificed the delightful depths we have achieved using the screws.’ Listening to Brailsford, everything suddenly made sense. The brands attention to detail is incredibly impressive, especially in a company which is still relatively small and young.

The case

I appreciated the polished case of the sm301 with its effervescent mien. Simon Michlmayr and his team are masters of polishing and successfully infused the sm301 with an almost mirror-like gleam. However, with the sm302, the caseband is grained, adopting a gentler, calmer persona. Whilst I like the shiny flanks of the sm301, I favour the muted disposition of the younger, sm302.

Garrick Hoxton sm302

The 42mm case sits comfortably on the wrist and the crown does not impose its presence on the arm with unsightly red marks. This timepiece accords an agreeable fit which should appeal to a wide audience, avoiding the extremes of unduly small or excessively large, dimensions.

Garrick Hoxton sm302

An exhibition caseback reveals the inner psyche of the timepiece, with the finely decorated movement freely disclosed via one of the largest ‘widescreen’ sapphire crystal panes you are likely to encounter. Indeed, Garrick has utilised virtually all of the caseback to reveal as much of the movement as possible.

Garrick Hoxton sm302

The movement

Garrick used a hand-wound, ‘new old stock’ Unitas 6498.1 base movement on the sm301 and the sm302 repeats this formula.

Where the movement of the sm302 differs from the sm301 is with the absence of a free-sprung balance. However, the sm302 uses a screwed balance which will appeal to many purists, myself included.

Garrick Hoxton sm302

Garrick has also elected to eschew the Geneva stripes found on the bridges of the sm301 and employ a frosted finish which I personally find fresh and eye-catching. The appearance of the bridges on the sm302 appearmodern when contrasted with the sm301, but confer a degree of originality which is very endearing.

Traditional watchmaking crafts are still much in evidence, despite the modernity of the timepiece. The thermally blued screws are not mass produced in a large oven, but heated on a bed of brass filings to achieve the beautiful bluish purple hues.

Garrick Hoxton sm302 and Garrick Shaftesbury sm301

Closing remarks

The red-faced Garrick Hoxton sm302 makes me smile. It disarms me with its unique appearance and charming details. Some elements exhibit modernity, which, unusually for me, lighten my mood. I cannot help being drawn towards many ingredients of this mouth watering horological proposition and feeling a sense that all is well with the world.

It is refreshing to see British craftsmanship is still alive and well. Indeed, as a patriot and watch lover I can report, that for once, seeing red actually makes me happy. The future of Garrick looks assured if it continues to produce watches that display such breathtaking invention and skill.

Garrick Hoxton sm302

Technical Specification

  • Model: Garrick Hoxton sm302
  • Case: stainless steel; diameter 42.00mm; height 12.50mm; water resistant to 10 bar (100 metres); sapphire crystal to front and caseback.
  • Functions: Hours; minutes.
  • Movement: Vintage Unitas 6498.1 base, hand-wound movement; frequency 18,000 vph (2.5Hz), power reserve 42 hours
  • Strap: Black leather strap presented with a stainless steel pin buckle
  • Price: £2495 (RRP as at 3.6.2015)

Acknowledgement

All images bearing the ESCAPEMENT logo by © Euan Davies 2015

Garrick Hoxton sm302

Roger Smith attends New York City premiere of The Watchmaker’s Apprentice

Roger Smith and David Armstrong

How was the trip?

New York is always very exciting. It’s a great city with a deep interest in horology. In fact the horological community there is growing and very knowledgeable, while the people I meet always seem to enthusiastic and very pleasant company!

The event was hosted by the New York Horological Society…

Yes it was – and they are doing important work, which is continually increasing the awareness and knowledge of watchmaking.

You also have collectors in the USA?

We do. Both the East and West coasts are important for us and overall the USA probably accounts for a third of our business. I think that was partly why there was a great deal of interest in the Watchmaker’s Apprentice.

The event was sold out…

It was! The cinema is actually quite iconic, being the home of the Tribeca Film Festival and the house was packed! It’s marvelous to see so much interest for a film about watchmaking. It is particularly gratifying to see this for DAM Productions who made the film.

It has been nearly four years since they filmed the interviews with George and myself here in the Isle of Man. So to see them gain support from The Watch Club in London, to ensure the film was finished and to now see that faith fulfilled with sold-out screenings and international distribution is marvelous.

How does it feel to be the subject of a film?!

Well, I think this comes back to the question of the faith of filmmakers. Tucked away in our studio in the Isle of Man, it is easy to forget that there is so much interest in watchmaking, and what we do, all over the world. As such, I was amazed that anyone would want to make a film about it!

However, I think, clearly the fascination is with George Daniels and his story. George gave so few interviews and was a very private person (except when he was racing his Bentleys!) that for the production team to get his last words also gave them the chance to create a completely rounded narrative on his life and work, which in many respects makes it very complementary to Michael Clerizo’s excellent biography. I may be ‘The Watchmaker’s Apprentice’, but my story in the context of the film is only really the last chapter of George’s.

You also gave a question and answer session?

Along with David Armstrong, the director, yes. Being a horological audience, many of the questions picked up on various aspects of the story and there were also a number of anecdotes shared from the audience about George Daniels, which are always entertaining!

It was also touching to hear how the film affected people and it was also very gratifying to meet so many young people with a passion for watchmaking!

..and there was a lot of interest in your now famous ‘Open Letter’…

That too! I must say it was quite overwhelming the support I received and to hear about the similar issues faced by the watchmaking fraternity in the USA. Since the letter was published by Hodinkee it has received huge support around the world and in particular the UK of course. It has also subsequently been quoted by others, and in forums, somewhat out of context. My issue is not and never has been a judgment on how people make watches, but purely about the honesty of their claims. The audience shared their own big concern about provenance in New York right now. They were telling me that some watch companies claim to make pieces locally, but in actual fact these might be dissembled foreign watches, which are reassembled on site and then passed off as having been ‘Made in New York’. This is the sort of thing I am talking about.

What is next for the film?

I gather that the film is being represented for international sales by Amadeus Entertainment at the Cannes Film Festival right now and is being released in the UK on the 20th July by the distributor, Bulldog Film.

It’s next stop on ‘tour’ is going to be at the School of Jewellery in Birmingham on the 26th May, where the film will be screened and there will be another Q&A session, with David Armstrong on which I will be a guest.

Horology high: the rise of Schofield – Telegraph

By Stephen Doig

October 07, 2014 15:40

The Blacklamp Carbon watchThe Blacklamp Carbon watch

The Blacklamp Carbon watch

There are few global watch brands that can say they operate out of a bucolic village in the West Sussex countryside. But then there are few watchmakers that can also boast ‘ukulele maker’ under their skillset. However, such is the visionary nature of Giles Ellis’s pioneering watch brand, Schofield, that the horological rule book is being quietly re-written, from a leafy corner of the English countryside. What began as a personal quest to find a watch that fitted his exacting personal taste has evolved into an international operation that has carved out a curious niche in the competitive world of watch-making.

‘Schofield was never a commercial enterprise, at the start it was about creating one watch for myself’, says polymath Ellis, who previously worked as coding specialist, product designer and restorer of musical instruments, and who heads a talk at the fine watch exhibition SalonQP next month on the design element of watch production.

It was a combination of expertise and uncompromising personal taste that prompted Ellis to handcraft his own amplifier. ‘All my life I’ve been someone who likes things to be just right, and as such the products I’m attracted to tend to be incredibly expensive. So I’ve ended up furnishing my life with things that I’ve made with my own hand.’ The execution of this amplifier laid the foundations for what was to become the Schofield template, even though Ellis didn’t realise it at the time. Despite it being purely for personal use, Ellis branded the amp as a ‘Schofield’ product. ‘At the time, I was into spaghetti Westerns and Schofield was the name of a revolver used by Jessie James. It’s the bad boy’s revolver of choice’.

This incarnation of Schofield swiftly evolved into a watch brand, after Ellis – with trademark dynamism – decided to create his own watch. ‘I got completely immersed in the project,’ he says by way of understatement, ‘and quickly learned that to have the watch made the way I wanted, I’d have to set up a minimum order. I knew that I was going to end up with more watches than I could ever need, and that was the tipping point that turned Schofield into a business.’ Making their debut in 2011 at SalonQP, initially his business plan involved selling a grand total of three: in his first year he exceeded year three of that plan. But to Ellis, this isn’t about meteoric, instant success.

‘For four years before we launched, I was making sure that the business was as solid and had as much integrity as the watches themselves’. To that end, each element is impeccably conceived and handcrafted, with certain models made in Germany (an emerging talent on the world watch stage) and some in England. A carefully curated range includes the Signalman DLC, Signalman Polished and Blacklamp, each impeccably made and some featuring specially developed materials (the Blacklamp employs a patented rendering of carbon fibre called Morta), sleekly designed and (for that dash of English eccentricity) named after UK lighthouses because of their longevity and engineering. Salon QP sees a new addition to the roster, with the launch of the Beater (details firmly confidential at this point) and a new pen with custom-made ink mixed by Schofield. Clearly, Schofield is intent on writing its own future.

Thomas Earnshaw – British brand ?

Browsing though old magazines at the barbers this weekend I stumbled across another “British” brand – Thomas Earnshaw.

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Getting home I did a little digging and discovered a website ( http://www.thomas-earnshaw.com/pages/thomas-earnshaw-1749-1829 ) full of British horological history. Was this a secret I had somehow missed?

THOMAS EARNSHAW (1749-1829)

Born on 4 February at Ashton under Lyne, Lancashire near Manchester, England.

Thomas Earnshaw is revered as a legend and pioneer in the field of Horology. Born in Manchester, England in 1749, he was celebrated for his work in refining, and improving upon the Marine Chronometers of the era. It was those Marine Chronometers, crucial to the journeys taken by the boats in the Royal Navy as they circled the globe during a golden era in English history of science and exploration. None more so than Chronometer no. 506, carried by HMS Beagle which carried Charles Darwin on his journey around the world to inspire his breakthrough study of evolution, “On The Origin of Species”. Lauded for his work with marine chronometers, Earnshaw also embraced the challenge of developing clocks for use in Observatories such as those in Greenwich and Armagh and examples of his exquisite work can be seen in museums and auction houses around the world. It is this pioneering spirit to further the science of horology, coupled with a drive for excellence in craftsmanship that is at the heart of the Earnshaw timepiece which is available for the watch connoisseur and enthusiast alike.

Unfortunately, it is the usual false trail. The brand Earnshaw is owned by Dartmouth Brands Ltd. Dartmouth in turn is owned by a Hong Kong company where they have a manufacturing plant.They “Swiss Made” claim also seems a little mis-leading.

The one positive that can be taken from this company is they are trying to sell a “British heritage” which they clearly believe is something that is marketable.